Tag: Kate Moss

  • Understanding Heroin Chic: The Aesthetic of the 90s

    Understanding Heroin Chic: The Aesthetic of the 90s

    Ah, Heroin Chic. Even the name drips with controversy, conjuring images of hollowed-out cheekbones, smudged eyeliner, and a willowy frailty that could snap in a stiff breeze. If the ’80s were cocaine-dusted, champagne-fueled opulence, the ’90s dragged the party into the bathroom stall and turned on the flickering fluorescent light. This wasn’t just fashion; it was a full-blown aesthetic manifesto: decay, addiction, and rebellion served up as sexy, gritty art.

    Kate Moss—our poster child for the movement—was the face of this revolution. Waifish and wide-eyed, she became synonymous with the look. Who could forget the first time you stumbled across the infamous quote on Tumblr, “Nothing tastes as good as skinny feels,” paired with Kate’s haunting gaze? It’s an image seared into the collective memory of anyone who’s ever searched “edgy thinspo” at 2 a.m. Designers like Calvin Klein lapped it up, splashing this aesthetic across runways and ad campaigns. It was androgyny, fragility, and just rolled out of a bar fight with my rockstar boyfriend chic—a sharp pivot from the ’80s supermodel era, where big hair, big smiles, and big egos reigned supreme.

    Behind the scenes, photographers like Corinne Day and David Sims doubled down on the rawness. Their work didn’t just flirt with the spirit of this aesthetic—it French-kissed it in a back alley. Unapologetically romanticizing the messy, tragic seduction of addiction and alienation. The aesthetic bled into pop culture, turning up everywhere from Vogue to MTV. It was grunge for your closet, nihilism in a mascara ad.

    But not everyone was clapping. Critics—and there were plenty—called the whole thing out for what it was: a thinly veiled glorification of addiction and an unhealthy body image. The timing couldn’t have been worse. While Heroin Chic’s hollow-eyed muses smoldered on magazine covers, the heroin epidemic was wrecking communities across the world. Addiction, suffering, and death weren’t chic—they were devastating.

    And let’s not forget the body image disaster. This era did a number on how we define beauty. Models looked less “fashionably thin” and more “haven’t eaten since the Clinton administration.” For anyone struggling with body image, this was gasoline on an already raging fire. Eating disorders spiked, and young people everywhere were left chasing an unattainable ideal.

    By the late ’90s, the pendulum started to swing back. Fashion had its oops, maybe we went too far moment. Healthier bodies began to appear on runways, and Heroin Chic was quietly shuffled into the “bad idea” file of fashion history. But the damage was done. The ripple effects—on both the modeling industry and society at large—are still felt today.

    And speaking of the modeling industry, sure, we’ve made progress. Runways now host a kaleidoscope of body types, and “body positivity” is more than just a trending keyword. But the shadow of Heroin Chic still looms, a cautionary tale wrapped in chiffon and eyeliner.

    So let’s call Heroin Chic what it was: a moment of rebellion that danced with danger but left us with scars. It challenged beauty standards, but at a cost we’re still paying. The toll? Hormonal wreckage, mental health crises, and a generation of young people who think happiness comes in size 0. While we might be tempted to romanticize it in the warmth of nostalgia, let’s not forget the cold, hard truth: some trends should stay buried in the archives. 

  • Frazzled English Woman: The Aesthetic of Embracing Chaos

    Frazzled English Woman: The Aesthetic of Embracing Chaos

    The “Frazzled English woman” aesthetic is an illustrious mess, a balancing act between nearly having it all together and complete chaos. Imagine this: a woman speed-walking through London in a trench coat she definitely didn’t iron, holding a half-spilled latte in one hand and a cracked iPhone 16 frantically pressed to her ear with the other. Her hair is in a bun that might have started as a slick, neat updo but has since evolved into a Picasso of flyaways. She’s got a leather bag that looks too small to hold anything useful but is somehow bursting at the seams. And yet—she looks effortlessly chic, as if this entire state of disarray was curated by a team of stylists.

    The wardrobe essentials of the frazzled English woman? Think a half-buttoned silk blouse, trousers that are somehow both too short and too long, and either ballet flats or boots that scream “I swear these were comfortable when I bought them.” Accessories? the unsung heroes of this aesthetic. A scarf that started as a chic accent but is now slowly strangling her? Check. Oversized sunglasses on a rainy day because she forgot her umbrella and mascara is running down her face? Absolutely. There’s a certain art to appearing as though you’ve just run for the train, missed it, but still managed to land on the cover of Vogue. It’s about looking rushed but still slightly put-together—like you could book a last-minute flight to Paris if you weren’t currently lost in Sainsbury’s trying to remember if you’ve run out of oat milk.

    Makeup is optional, of course. Most days, it’s a quick swipe of mascara applied while power-walking to the tube. But looks like her personal masterpiece? That red lipstick she puts on sat on the second floor back seat of the bus just before a 4 p.m. meeting—bold, slightly wonky, and completely incongruent with her morning look. Smudged, sure, but that’s part of the charm. It says, “Yes, I’ve been through three existential crises today but in a cool way.”

    The frazzled woman doesn’t have time for proper outerwear, so her coat game is always one of two extremes. Either it’s an oversized, vintage trench that billows behind her dramatically as she runs for the train, or it’s a blazer she grabbed in a panic that’s definitely wrinkled from being shoved in her bag. Either way, she’ll look like she’s about to star in a BBC miniseries about a woman on the edge—but in a fabulous way.

    What makes this aesthetic so iconic is that she’s relatable. She’s not trying to be perfect. Her hair’s always got a mind of its own, her clothes are always seconds away from disaster, and her phone’s always on 1% battery. The Smiths are blasting through tangled wired headphones. But she keeps going, charging through her day like a chaotic tornado of fashion, responsibility, and unresolved personal dilemmas. In a world obsessed with polished Instagram perfection, she’s a breath of fresh, messy air.